Seamus Heaney

Portrait of Seamus Heaney
Seamus Heaney 1939–2013
1939Born

Seamus Heaney (b. April 13, 1939, d. August 30, 2013) was a poet, writer and lecturer from Northern Ireland. He was considered one of the most widely known and important poets working in English, or perhaps any language, in the late 20th century.

Heaney was born, the eldest of nine children, on a farm called Mossbawn, in County Derry thirty miles to the Northwest of Belfast, in Northern Ireland. He was brought up a Catholic. As a child he remembered watching American soldiers practising for the D-Day landings. The family left the farm in 1953. He was educated at the local primary school and St. Columb's College, a Catholic boarding school in Derry to which he was awarded a scholarship. At St Columbs he was taught the Irish language. He then attended Queen's University, Belfast.

In the sixties Heaney trained as a teacher and worked in schools in Belfast and Ballymurphy. It was at this time that he first started to publish poetry, beginning in 1962. His first book, Death of a Naturalist, was published in 1966. It met with much critical acclaim. In 1965 he met and married Marie Devlin. (Devlin is a writer herself and in 1994 published Over Nine Waves a collection of traditional Irish myths and legends.) They had three children.

Read the full biography

Throughout the sixties, he was working, at formal meetings, with a number of writers including Michael Longley, Derek Mahon, and Philip Hobsbaum. In the seventies younger poets attended these meetings, now run by Heaney, including Paul Muldoon and Frank Ormsby. In 1968, with Michael Longley, Heaney took part in a reading tour called 'Room to Rhyme', this lead to quite a lot of exposure for the poet's work. He was appointed to the Arts Council in the Republic of Ireland in 1974. He became an elected Saoi of Aosdána. In 1972 Heaney left his lectureship at Belfast and moved to the Republic, working at a teacher training college in Dublin. In 1984, Heaney was appointed Boylston Professor of Rhetoric and Oratory, at Harvard University. In 1989, he was elected to be Professor of Poetry at Oxford University, which he held for a five-year term to 1994 (not requiring residence in Oxford).

Throughout this time he was publishing prolifically and dividing his time between Ireland and America. He also continued to give public readings, which were very popular. So well attended and keenly anticipated were these events that those who queued for tickets with such enthusiasm have sometimes been dubbed 'Heaneyboppers' suggesting an almost pop-music fanaticism on the part of his supporters.

He was awarded the Nobel Prize for literature in 1995.

This article is licensed under the GNU Free Documentation License and uses material adapted in whole or in part from the Wikipedia article on Seamus Heaney.

From readers

What readers say about Seamus Heaney

  1. On Mid-Term Break

    “When my GCSE class and I studied this poem, by Seamus Heaney, I was immediately aware of the emotional stress that the family must be in. The use of language informs us of the little childs' death without making it gross. I especially like the line;"A four foot box, a foot for every year"”

  2. On Requiem for the Croppies

    “'Requiem for the Coppies'bY Seamus Heaney is a great poem! Straight away he introduces us to the main subject of the poem through the title "croppies". "Croppies" was another name given to the people with realy short hair who were the rebel farmers of 1798 trying to save their land. Heaney…”

  3. On Anahorish

    “Anahorish was the boarding school which Seamus Heaney attended as a boy.The underlying theme of the poem is that of school and innocence.We can notice the opposition between light and darkness ("my'place of clear water'", "lamps","darkened cobbles", which illustrates the contrast between the…”

  4. On The Grauballe Man

    “This poem left me in awe. Heaneys ability to breathe such reverent life into death turning a big body into a symbol of memory, pain and sacred history, is a gift. The line who will say corpes to his vivid cast? stuck me deeply. It made me reflect on how we honor the lives and story of the forgotten…”

  5. On Exposure

    “i read this poem , theme of this poem is so ambiguous although after reading this poem we can say that this poem is about the unsatisfactoriness of modern man regarding to his existance in the society and one of the most important elements of this poem is loss of identity .......HOW DID I END UP…”

  6. On The Tollund Man

    “actually, i think the tension and conflict between catholicism and protestantism within ireland holds up. Heaney tends to write poetry that is very close to him personally. he grew up in the protestant north, but is catholic. clearly there must be some tension between that. and im sure he's had…”

Where readers gather

Most discussed

  1. Mid-Term Break24 comments
  2. The Tollund Man11 comments
  3. Requiem for the Croppies10 comments
  4. The Early Purges10 comments
  5. Digging9 comments
  6. Anahorish8 comments
  7. Follower7 comments
  8. Strange Fruit6 comments
  9. Death Of A Naturalist5 comments
  10. The Grauballe Man5 comments

All 30 poems

Death of A Naturalist · 1966 · 2 poems
The Spirit Level · 1996 · 1 poem
Other poems · 27