The poem
I
Now it is autumn and the falling fruit and the long journey towards oblivion.
The apples falling like great drops of dew to bruise themselves an exit from themselves.
And it is time to go, to bid farewell to one's own self, and find an exit from the fallen self.
II
Have you built your ship of death, O have you? O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes! Ah! can't you smell it? And in the bruised body, the frightened soul finds itself shrinking, wincing from the cold that blows upon it through the orifices.
III
And can a man his own quietus make with a bare bodkin?
With daggers, bodkins, bullets, man can make a bruise or break of exit for his life; but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder ever a quietus make?
IV
O let us talk of quiet that we know, that we can know, the deep and lovely quiet of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take the longest journey, to oblivion.
And die the death, the long and painful death that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised, already our souls are oozing through the exit of the cruel bruise.
Already the dark and endless ocean of the end is washing in through the breaches of our wounds, Already the flood is upon us.
Oh build your ship of death, your little ark and furnish it with food, with little cakes, and wine for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying and nothing will stay the death-flood rising within us and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying and our strength leaves us, and our soul cowers naked in the dark rain over the flood, cowering in the last branches of the tree of our life.
VII
We are dying, we are dying, so all we can do is now to be willing to die, and to build the ship of death to carry the soul on the longest journey.
A little ship, with oars and food and little dishes, and all accoutrements fitting and ready for the departing soul.
Now launch the small ship, now as the body dies and life departs, launch out, the fragile soul in the fragile ship of courage, the ark of faith with its store of food and little cooking pans and change of clothes, upon the flood's black waste upon the waters of the end upon the sea of death, where still we sail darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go only the deepening blackness darkening still blacker upon the soundless, ungurgling flood darkness at one with darkness, up and down and sideways utterly dark, so there is no direction any more and the little ship is there; yet she is gone. She is not seen, for there is nothing to see her by. She is gone! gone! and yet somewhere she is there. Nowhere!
VIII
And everything is gone, the body is gone completely under, gone, entirely gone. The upper darkness is heavy as the lower, between them the little ship is gone
It is the end, it is oblivion.
IX
And yet out of eternity a thread separates itself on the blackness, a horizontal thread that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume A little higher? Ah wait, wait, for there's the dawn the cruel dawn of coming back to life out of oblivion
Wait, wait, the little ship drifting, beneath the deathly ashy grey of a flood-dawn.
Wait, wait! even so, a flush of yellow and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell emerges strange and lovely. And the little ship wings home, faltering and lapsing on the pink flood, and the frail soul steps out, into the house again filling the heart with peace.
Swings the heart renewed with peace even of oblivion.
Oh build your ship of death. Oh build it! for you will need it. For the voyage of oblivion awaits you.

This poem expresses such a positive optimism. It alludes to the kind of myth that those who fear the state of nonexistance so desperately need. We do need to build our little ships of death. We need to spend our lives engaged the construction of tangible things that we assume will outlive our flesh and thus, on some level, ensure our immortality. We know full well that all things, even the pyramids, will one day…
Read the whole commentThis poem expresses such a positive optimism. It alludes to the kind of myth that those who fear the state of nonexistance so desperately need. We do need to build our little ships of death. We need to spend our lives engaged the construction of tangible things that we assume will outlive our flesh and thus, on some level, ensure our immortality. We know full well that all things, even the pyramids, will one day slip away, but perhaps the great pharoes understood as did Lawrence that oblivian is actually a finite interim standing between the who-we-are and the what-we-may-return-as. Perhaps if we build our ships strong enough, we can communicate what we are to what we eventually become, and thus enter a whole new cycle of immortality.
This is a great poem. It was one of the first I read on my introduction to the poetry of Lawrence. Its had a profound affect on the way I think about mortality and especially, maybe what we leave behind us. John
I think Lawrence actually demystified death in the poem.To him people actually die everytime they fail on whatever plan they have.However it is only from this death that one can really emerge great,like Phoenix from ashes.Though, one has to prepare for this necessary journey towards transformation.
this was writtenby lawrence on his death bed,and its interesting to see the different takes taken by him between this poem and bavarian gentians which was written a year before. in this particular poem he looks at death up close and personal and tries to make out what exactly it is that happens to you when you die.where is it that you go.the interesting aspect of the poem is that it deals with a topic that we all…
Read the whole commentthis was writtenby lawrence on his death bed,and its interesting to see the different takes taken by him between this poem and bavarian gentians which was written a year before.
in this particular poem he looks at death up close and personal and tries to make out what exactly it is that happens to you when you die.where is it that you go.the interesting aspect of the poem is that it deals with a topic that we all think about at some point,difference being that he is actually facing death when he questions it.
in part one he compare death to dew..implying that it happens to everyone but its very different when your the one facing it.he questions whether killing ones self could be a better way then facing this painful death when he says 'quietus'.but wonders whether that could actually give you peace.he plans not to fight death anymore but to prepare for all that lies ahead...
he tells himself and us that the body is a mere armour to the soul.we cannot contol our fate as we do not know what lies ahead.
in bavarian gentians again death is seen as the unknown darkness by him.he feels that the darkness that he is in has made him loose his was and control over life.he reaches a point where he is ready to die..however this does not happen...the moment passes him by and he has come 'out of oblivion',though he continues to drift towards death.
till the last line he pleads his reader to build there ship of death and be prepared for this inevitable that will come there way.
i myself feel (through personal experience)you can try to do this...but when you lose someone,no matter who...i don't think that death is something you can be ready for.it comes when it does...
the impact of thepoem
Knowing that Lawrence wrote the poem shortly before his deaththe sense of a disturbing immediacy of impact is understandable.The varying lengths of the lines the repititions of words and images ,the briskly changing rythmic quality,makes me feel that I am sharing the death experience with the poet.The poem is disturbing but not depressing.The preparation for death emphasises the belief that death does not spell…
Read the whole commentKnowing that Lawrence wrote the poem shortly before his deaththe sense of a disturbing immediacy of impact is understandable.The varying lengths of the lines the repititions of words and images ,the briskly changing rythmic quality,makes me feel that I am sharing the death experience with the poet.The poem is disturbing but not depressing.The preparation for death emphasises the belief that death does not spell oblivion.I feel, that the way the poet with his image of autumn and ripe apples falling and bruising themselves to make way for the exit of the soul is a remarkably uplifting concept of the old body holding within itself the kernal of a new birth.The poem thus after compelling us to move through the dark and englfing flood threatning asphyxiation, aptly ends in a glow of dawn with the new born soul ready to move on.Life and death meet in a circle