John Donne

Portrait of John Donne
John Donne 1572–1631
1572Born

John Donne (pronounced "Dun"; 1572 - March 31, 1631) was a major English poet and writer, and probably the greatest of the metaphysical poets. His works include love poetry, sermons and religious poems, latin translations, epigrams, elegies, songs and sonnets.

Donne was born and raised in a Roman Catholic family. Two of Donne's relatives had been punished for their Catholicism; his brother had died of a fever in prison after harboring a priest, and an uncle, a Jesuit, executed by being hanged, drawn, and quartered. Queen Elizabeth's government, though by contemporary standards tolerant, still uniformly burdened Catholics with harassment and financial penalties.

Donne was educated at both Oxford (Hertford College) and Cambridge. As a young man he travelled on the Continent and in 1596-1597 accompanied the Earl of Essex on his expeditions to Cádiz and the Azores. On his return he became secretary to Baron Ellesmere and began to achieve a reputation as a poet. His writings of this period include many of his songs and sonnets, and they are notable for their realistic and sensual style. Donne also composed many satirical verses that betrayed a searching and sometimes caustic outlook.

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The account of Donne's life in the 1590s that comes down to us through Donne's own poems and an early biographer, Izaak Walton, gives us a picture of a young rake. Scholars believe this picture almost certainly misleading, since the account was given by the older Donne, after he had been ordained; he may have wanted to separate, more cleanly than was possible, the younger man-about-town from the older clergyman. Walton tells us that Donne, after making a diligent study of theology, converted to Anglicanism at some point in the 1590s.

After taking part in Essex's military expeditions in 1596-7, he became secretary to Sir Thomas Egerton, a prominent member of the royal court, but he fell in love with Egerton's niece, Anne More, and secretly married her. When More's father found out, he used his influence to get Donne and two of his friends, one who presided over the wedding, another who witnessed it, imprisoned, albeit briefly. Egerton fired Donne.

It was around this time that the two "Anniversaries," An Anatomy of the World (1611) and Of the Progress of the Soul (1612) were written; they reveal that his faith in the medieval order of things had been disrupted by the growing political, scientific, and philosophic doubt of the times.

When released from prison, Donne, reunited with his bride, settled on land owned by More's cousin in Surrey. The couple struggled with their finances until 1609, at which point Donne and his father-in-law reconciled and Donne finally received his wife's dowry. This must have been helpful, since, as Walton tells us, Anne "had yearly a child." His growing family prompted him to seek the favors of the King, and in 1610 and 1611, he wrote two anti-Catholic polemics. One of them was the Galileo. King James was pleased with Donne's work, but refused to offer him anything but ecclesiastical preferments. Donne resisted taking holy orders. After a long period of financial uncertainty and esperation, though, during which he was twice a member of Parliament (1601, 1614), Donne heeded the King's wishes and was ordained in 1615. With the death of his wife in 1617 the tone of his poetry deepened, particularly in the "Holy Sonnets".

After his ordination, Donne wrote a number of religious works, such as his Devotions (1624) and various sermons. Several of these sermons were published during his lifetime. Donne was also regarded as one of the most eloquent preachers of his day. In 1621, Donne was made dean of St. Paul's, a position he held until his death.

The story of Donne's death, as Walton tells it, at least is justly well known. Suffering through the illness that would kill him only days later, in front of an audience many of whom, according to Walton, said that Donne seemed to be preaching his own funeral sermon, he gave an address called Death's Duel, one of the high points of seventeenth-century English prose. "We have a winding sheet in our mother's womb," he told his listeners, "which grows with us from our conception, and we come into the world wound up in that winding sheet, for we come to seek a grave." He then retired to his quarters, and had a portrait made of himself in his funeral shroud. This portrait he placed near his bedside, where he meditated on it until his death.

No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were. Any man's death diminishes me because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee.

from "Meditation XVII"

This article is licensed under the GNU Free Documentation License and uses material adapted in whole or in part from the Wikipedia article on John Donne.

From readers

What readers say about John Donne

  1. On The Good-Morrow

    “I'm sorry to correct you but it's "sucked on country pleasures", I completely agree with the fact that this is an allusion to oral sex, take note of sound of the first syllable of "country" Donne tends to enjoy these plays on words and double entendres.”

  2. On The Indifferent

    “Great poem? Yeah, of coarse it is but it's John Donne and he is very hard. He eventually became a religious orator, but this is his early work, which included many poems about love, or rather, lust. When he says that "I can love any, so she be not true" it doesn't necessarily mean that that he can…”

  3. On The Flea

    “I believe this poem is about a woman that has been wooed into bed and she becomes pregnant. I think that "swelling" refers to pregnancy and "Purpled thy nail in blood of innocence" refers to abortion.”

  4. On For Whom The Bell Tolls

    “There's a song we sing at camp that is very similar to this poem. I don't know where it came from.... No man is an island No man stands alone Each man's joy is joy to me Each man's grief is my own We need one another so I will defend Each man as my brother Each man as my friend I saw the people…”

  5. On Holy Sonnet X: Death Be Not Proud

    “i find the poem awesome because it is really the reality of every man in the world.All of us will experience death. when that time comes we should not be afraid because there is an eternal life waiting for us in heaven with our creator.and that i strongly believe.”

Where readers gather

Most discussed

  1. Holy Sonnet XIV: Batter My Heart, Three-Personed God17 comments
  2. The Good-Morrow13 comments
  3. The Indifferent9 comments
  4. The Flea8 comments
  5. For Whom The Bell Tolls4 comments
  6. Holy Sonnet X: Death Be Not Proud4 comments
  7. Song (Go And Catch A Falling Star)3 comments
  8. The Sun Rising3 comments
  9. Celestial Music2 comments
  10. Holy Sonnet VII: At The Round Earth's Imagined Corners Blow2 comments

All 70 poems

The Penguin Book of the Sonnet, Phillis Levin, ed., Penguin Books, 2001, p. 63 · 1 poem
Other poems · 69
  1. A Fever
  2. A Hymn To Christ At The Author's Last Going Into Germany
  3. A Hymn To God The Father1
  4. A Lame Beggar
  5. A Valediction: Forbidding Mourning
  6. A Valediction: Of Weeping
  7. Air And Angels
  8. Break Of Day1
  9. Celestial Music2
  10. Confined Love
  11. Elegy I: Jealousy
  12. Elegy II: The Anagram
  13. Elegy III: Change
  14. Elegy IV: The Perfume
  15. Elegy IX: The Autumnal
  16. Elegy V: His Picture
  17. Elegy VI
  18. Elegy VII
  19. Elegy VIII: The Comparison
  20. Elegy X: The Dream
  21. Elegy XVI: On His Mistress
  22. Elegy XVIII: Love's Progress
  23. For Whom The Bell Tolls4
  24. Holy Sonnet I: Tho Has Made Me
  25. Holy Sonnet II: As Due By Many Titles I Resign
  26. Holy Sonnet III: O Might Those Sighs And Tears Return Again
  27. Holy Sonnet IV: Oh My Black Soul! Now Art Thou Summoned1
  28. Holy Sonnet IX: If Poisonous Minerals, And If That Tree
  29. Holy Sonnet V: I Am A Little World Made Cunningly
  30. Holy Sonnet VI: This Is My Play's Last Scene, Here Heavens Appoint1
  31. Holy Sonnet VII: At The Round Earth's Imagined Corners Blow2
  32. Holy Sonnet VIII: If Faithful Souls Be Alike Glorified
  33. Holy Sonnet X: Death Be Not Proud4
  34. Holy Sonnet XI: Spit In My Face You Jews, And Pierce My Side2
  35. Holy Sonnet XII: Why Are We By All Creatures Waited On?
  36. Holy Sonnet XIII: What If This Present Were The World's Last Night?1
  37. Holy Sonnet XIV: Batter My Heart, Three-Personed God17
  38. Holy Sonnet XIX: Oh, To Vex Me, Contraries Meet In One
  39. Holy Sonnet XV: Wilt Thou Love God, As He Thee? Then Digest
  40. Holy Sonnet XVI: Father, Part Of His Double Interest1
  41. Holy Sonnet XVII: Since She Whom I Loved
  42. Holy Sonnet XVIII: Show me, dear Christ, thy Spouse, so bright and clear1
  43. Love's Deity
  44. Love's Usury
  45. Negative Love
  46. Self-Love
  47. Song (Go And Catch A Falling Star)3
  48. The Apparition
  49. The Bait1
  50. The Broken Heart
  51. The Canonization
  52. The Damp
  53. The Dissolution
  54. The Dream1
  55. The Ecstasy1
  56. The Expiration1
  57. The Flea8
  58. The Funeral
  59. The Good-Morrow13
  60. The Indifferent9
  61. The Legacy1
  62. The Message
  63. The Paradox
  64. The Primrose
  65. The Prohibition
  66. The Sun Rising3
  67. The Triple Fool
  68. Witchcraft By A Picture
  69. Woman's Constancy1