Samuel Coleridge

Portrait of Samuel Coleridge
Samuel Coleridge 1772–1834
1772Born

English lyrical poet, critic, and philosopher, whose LYRICAL BALLADS, written with William Wordsworth, started the English Romantic movement. Although Coleridge's poetic achievement was small in quantity, his metaphysical anxiety, anticipating modern existentialism, has gained him reputation as an authentic visionary. Shelley called him "hooded eagle among blinking owls."

Samuel T. Coleridge was born in Ottery St. Mary, Devonshire, as the youngest son of the vicar of Ottery St Mary. "At six years old I remember to have read Belisarius, Robinson Crusoe, and Philip Quarll - and then I found the Arabian Nights' entertainments - one tale of which (the tale of a man who was compelled to seek for a pure virgin) made so deep an impression on me (I had read it in the evening while my mother was mending stockings) that I was haunted by spectres whenever I was in the dark - and I distinctly remember the anxious and fearful eagerness with which I used to watch the window in which the books lay - and whenever the sun lay upon them, I would seize it, carry it by the wall, and bask, and read."

After his father's death Coleridge was sent away to Christ's Hospital School in London. Coleridge studied at Jesus College. He joined in the reformist movement stimulated by the French Revolution, and abandoned his studies in 1793. After an unhappy love-affair and pressed by debt he in desperation enlisted in the 15th Light Dragoons under the name of Silas Tomkin Comberbache. Soon he realized that he was unfit for an army career and he was brought out under 'insanity' clause by his brother, Captain James Coleridge. In Cambridge Coleridge met the radical, future poet laureate Robert Southey (1774-1843) in 1794. Coleridge moved with him to Bristol to establish a community, but the plan failed. In 1795 he married the sister of Southey's fiancée Sara Fricker, whom he did not really love.

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Coleridge's collection POEMS ON VARIOUS SUBJECTS was published in 1796, and in 1797 appeared POEMS. In the same year he began the publication of a short-lived liberal political periodical The Watchman. He started a close friendship with Dorothy and William Wordsworth, one of the most fruitful creative relationships in English literature. From it resulted Lyrical Ballads, which opened with Coleridge's 'Rime of the Ancient Mariner' and ended with Wordsworth's Tintern Abbey. These poems set a new style by using everyday language and fresh ways of looking at nature. 'The Rime of the Ancient Mariner', a 625-line ballad, is among his essential works. It tells of a sailor who kills an albatross and for that crime against nature endures terrible punishments. The ship upon which the Mariner serves is trapped in a frozen sea. An albatross comes to the aid of the ship, it saves everyone, and stays with the ship until the Mariner shoots it with his crossbow. The motiveless malignity leads to punishment: "And now there came both mist and show, And it grew wondrous cold; And ice, mast high, came floating by, As green as emerald."

After a ghost ship passes the crew begin to die but the mariner is eventually rescued. He knows his penance will continue and he is only a machine for dictating always the one story. When Mrs. Barbauld objected to Coleridge that the poem lacked a moral, the poet told her that "in my own judgment the poem had too much; and that the only or chief fault, if I might say so, was the obtrusion of the moral sentiment so openly on the reader as a principle or cause of action in a work of pure imagination."

The brothers Josiah and Thomas Wedgewood granted Coleridge an annuity of 150 pounds, thus enabling him to pursue his literary career. Disenchanted with political developments in France, Coleridge visited Germany in 1798-99 with Dorothy and William Wordsworth, and became interested in the works of Immanuel Kant. He studied philosophy at Göttingen University and mastered the German language. However, he considered his translations of Friedrich von Schiller's plays from the trilogy Wallenstein distasteful.

At the end of 1799 Coleridge fell in love with Sara Hutchinson, the sister of Wordsworth's future wife, to whom he devoted his work DEJECTION: AN ODE (1802). During these years Coleridge also began to compile his NOTEBOOKS, daily meditations of his life.

Suffering from neuralgic and rheumatic pains, Coleridge had became addicted to opium, freely prescribed by physicians. In 1804 he sailed to Malta in search of better health. Supplied with an ounce of opium and nine ounces of laudanum, he wrote in his journal: "O dear God! give me strength of soul to make one thorough Trial - If I land at Malta spite of all horrors to go through one month of unstimulated nature..."

He worked two years as secretary to the governor of Malta, and later traveled through Sicily and Italy, returning then to England. In 1809-10 he wrote and edited with Sara Hutchinson the literary and political magazine The Friend.

From 1808 to 1818 he he gave several lectures, chiefly in London, and was considered the greatest of Shakespearean critics. Kubla Khan was inspired by a dream In the summer of 1797 the author had retired to a lonely farm-house between Porlock and Linton. He had taken anodyne and after three hours sleep he woke up with a clear image of the poem. Disturbed by a visitor, he lost the vision, with the exception of some eight or ten scattered lines and images. Modern scholarship is skeptical of this story, but it reflects Coleridge's problems to manage practical life and finish his ideas.

In 1810 Coleridge's friendship with Wordsworth came to crisis, and the two poets never fully returned to the relationship they had earlier. During the following years Coleridge lived in London, on the verge of suicide. After a physical and spiritual crisis at Greyhound Inn, Bath, he submitted himself to a series of medical régimes to free himself from opium. He found a permanent harbor in Highgate in the household of Dr. James Gillman, and enjoyed almost legendary reputation among the younger Romantics. During this time he rarely left the house.

In 1816 the unfinished poems CHRISTABEL and KUBLA KHAN were published, and next year appeared SIBYLLINE LEAVES. According to the poet, he heard the words to 'Kubla Khan' in a dream. After 1817 Coleridge devoted himself to theological and politico-sociological works - his final position was that of a Romantic conservative and Christian radical. He also contributed to several magazines, among them Blackwood's Edinburgh Magazine. Coleridge was elected a fellow of the Royal Society of Literature in 1824. He died in Highgate, near London, on July 25, 1834.

Biography by Petri Liukkonen

From readers

What readers say about Samuel Coleridge

  1. On Epitaph

    “The poem begins with a hook line to the christian who is passing by and who is also termed as a child of God to read with a sympathetic heart the epitaph on his tombstone.A poet or one who appeared to be a poet is buried under the sod.through struggles in life he found death.He wants prayer to find…”

  2. On Time, Real And Imaginary

    “Coleridge speaks about the two humans, which is the girl and boy. The boy is blind and represents our daily life while the girl is able to see. Almost daily people wake up from their beds assuming about their activities they will deal with during the course of the day; but in the course of the day…”

  3. On This Lime-Tree Bower, My Prison

    “this poem sux...especially if u have to write an essay on it...and have no idea what is going on init and everytyme usee it u wanna die...cuz u know u cant do anything abut how lame it is! luv yall”

  4. On Phantom

    “I enjoyed this poem. I read it over and over and still draw the moon to mind. Due to the fact of the time period it was written. you may or may not agree.”

  5. On Epigram

    “This poem means exactly what it says. As an epigram, it plays with the concept of logic I recall from IQ tests (ie. if all womps are wobbles, ad all wobbles are zonks; then are all zonks necessarily womps?) The epigram's purpose is most clearly seen as a response to criticism. Lines 3 and 4 are a…”

Where readers gather

Most discussed

  1. Time, Real And Imaginary4 comments
  2. The Rime Of The Ancient Mariner3 comments
  3. Phantom2 comments
  4. This Lime-Tree Bower, My Prison2 comments
  5. About The Nightingale1 comment
  6. Despair1 comment
  7. Epigram1 comment
  8. Epitaph1 comment
  9. Kubla Khan1 comment
  10. The Dungeon1 comment

All 80 poems

Poems · 80
  1. Lines1795
  2. The Nightingale1798
  3. A Soliloquy Of The Full Moon, She Being In A Mad Passion
  4. A Tombless Epitaph
  5. About The Nightingale1
  6. Aplolgia Pro Vita Sua
  7. As some vast Tropic tree, itself a wood (fragment)
  8. Brockley Coomb
  9. Christabel
  10. Cologne
  11. Come, come thou bleak December wind (fragment)
  12. Constancy To An Ideal Object
  13. Dejection: An Ode
  14. Desire
  15. Despair1
  16. Duty Surviving Self-Love
  17. Epigram1
  18. Epitaph1
  19. Fears In Solitude
  20. Fragment
  21. France: An Ode
  22. From 'Religious Musings'
  23. Frost At Midnight
  24. Glycine's Song
  25. Hexameters
  26. Human Life
  27. Hymn before Sun-rise, in the Vale of Chamouni
  28. I know 'tis but a Dream, yet feel more anguish (fragment)
  29. Inscription For A Fountain On A Heath
  30. Kubla Khan1
  31. Life
  32. Limbo
  33. Love
  34. Love's Apparition and Evanishment: An Allegoric Romance
  35. Metrical Feet
  36. On A Ruined house In A Romantic Country
  37. On Donne's Poetry
  38. Phantom2
  39. Psyche
  40. Reason
  41. Recollections Of Love
  42. Reflections On Having Left A Place Of Retirement
  43. Something Childish, But Very Natural
  44. Song
  45. Sonnet
  46. The Aeolian Harp
  47. The Blossing Of The Solitary Date-Tree
  48. The Dungeon1
  49. The Eolian Harp
  50. The Exchange
  51. The Faded Flower
  52. The Garden Of Boccaccio
  53. The Good, Great Man
  54. The Improvisatore
  55. The Knight's Tomb
  56. The Lime-tree Bower my Prison [Addressed to Charles Lamb, o
  57. The Moon, how definite its orb! (fragment)
  58. The Netherlands (fragment)
  59. The Pains Of Sleep
  60. The Presence Of Love
  61. The Rime Of The Ancient Mariner3
  62. The Suicide's Argument
  63. The Three Sorts of Friends (fragment)
  64. This Lime-Tree Bower, My Prison2
  65. Time, Real And Imaginary4
  66. To A Primrose
  67. To A Young Ass
  68. To Asra
  69. To Nature
  70. To the Nightingale
  71. To The Rev. George Coleridge
  72. To The River Otter
  73. To William Wordsworth
  74. What Is Life?
  75. When Hope but made Tranquillity be felt (fragment)
  76. Where is the grave of Sir Arthur O'Kellyn?
  77. Whom should I choose for my Judge? (fragment)
  78. Work Without Hope1
  79. Youth And Age
  80. Zapolya