Thomas Hardy

Portrait of Thomas Hardy
Thomas Hardy 1840–1928
1840Born

Thomas Masterson Hardy (2 June 1840 - 11 January 1928) was a novelist and poet, generally regarded as one of the greatest figures in English literature.

Thomas Hardy was born near Dorchester in Dorset. His father was a stonemason. His mother was ambitious and well-read and supplemented his formal education. Hardy trained as an architect in Dorchester before moving to London to take up employment. He won prizes from the Royal Institute of British Architects and the Architectural Association.

His first novel, The Poor Man and the Lady, was finished in 1867 but failed to find a publisher. Desperate Remedies (1871) and Under the Greenwood Tree (1872) were published anonymously. In 1873, A Pair of Blue Eyes was published under his own name. The story draws on Hardy's courtship of Emma Gifford whom he married in 1874. His next novel, Far from the Madding Crowd (1874) was successful enough for Hardy to be able to give up his architectural work and take up a full-time literary career.

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Over the next 25 years, Hardy produced 10 more novels. The Hardys moved from London to Yeovil, and then to Sturminster Newton, where he wrote The Return of the Native (1878). In 1885, they returned to Dorchester, moving into Max Gate, a house which Hardy had designed himself.

Tess of the d'Urbervilles (1891) attracted criticism for its sympathetic portrayal of a 'fallen woman' and was initially refused publication. Its subtitle, A Pure Woman, was intended to raise the eyebrows of the Victorian middle-classes and did so. His next major novel, Jude the Obscure (1895) caused an uproar. It was heavily criticized for its apparent attack on the institution of marriage. The book caused further strain on Hardy's already difficult marriage due to Emma's concern that it would be read as autobiographical. Some booksellers sold the novel in brown paper bags and the Bishop of Wakefield is reputed to have burnt a copy. Disgusted with the public reception of two of his greatest works, Hardy gave up writing novels altogether.

In 1898, Hardy published his first volume of poetry, Wessex Poems, a collection of poems written over the previous 30 years. His poetry was not as well received by his contemporaries as his novels had been, but Hardy continued to publish collections until his death in 1928.

Although Hardy had been estranged from his wife for some years, her sudden death in 1912 had a traumatic effect on him. He made a trip to Cornwall to revisit places linked with her and their courtship and wrote a series, Poems 1912-13, exploring his grief. In 1914 he married Florence Dugdale, 40 years his junior, whom he had first met in 1905.

Hardy fell ill in December 1927 and died in January 1928, dictating his final poem to his wife on his deathbed. His funeral, on 16 January at Westminster Abbey, was a controversial occasion: his family and friends had wished him to be buried at Stinsford, but his executor, Sir Sydney Carlyle Cockerell, had insisted he should be placed in Poets' Corner. A compromise was reached, whereby his heart was buried at Stinsford and his ashes were interred in the abbey.

Hardy's novels, stories and many of the poems take place in the "partly-real, partly-dream" county of Wessex (named after the Anglo-Saxon kingdom which existed in the area). The landscape was modelled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset and Wiltshire, with fictional places based on real locations. One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the impact of the railways and the industrial revolution was to change the English countryside for ever.

His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism. His writing is sometimes rough and even inelegant but at its best is capable of immense power. Critical response to Hardy's poetry has warmed considerably, in part because of the influence of Philip Larkin. Hardy's cottage at Brockhampton and Max Gate in Dorchester are owned by the National Trust.

This article is licensed under the GNU Free Documentation License and uses material adapted in whole or in part from the Wikipedia article on Thomas Hardy.

From readers

What readers say about Thomas Hardy

  1. On The Darkling Thrush

    “The Darkling Thrush is Hardy's portrayal of a bleak and gloomy world on the turn of the 20th century. The song of the Darkling Thrush represents hope and joy in a seemingly otherwise hopeless world. At the time when the poem was written, Hardy's marriage was not in a very good state and this is…”

  2. On Under The Waterfall

    “Whenever I plunge my arms, like this from line 1 emphasis the actions breaking through the past and present. ( Language) Sweet sharp sense from line 3 slows down the rhythm of the poem. (sibilance soft sound) which shows her memory is slowing returning back to her, where she is enjoying it.…”

  3. On The Convergence Of The Twain

    “Hardy's own loss of faith in God distances the tradgedy from an act of vengency by God, yet his mention of 'The Imminant will' show a belief in a fate which coincides with the notion that as if in order to restor balance the iceburg grew synonomosly. Likewise the use of the imagery that the two…”

  4. On An August Midnight

    “The poet describes the arrival and behaviour of Four small insects. The poem specifies light and hints at the heat in the image of the open window, so we know how and why the creature come. The poet combines pleasure in the event. He calls these CREATURES "Friends" or "quests" . He uses…”

  5. On The Levelled Churchyard

    “this poem, i think, is about Hardy's feelings towards actually watching the bodies being dug up and then moved around. He feels as if the spirits are talking to him saying that they do not want their bodies to be put back into the wrong graves, as this may be a gravestones marked wrongly. An…”

  6. On Neutral Tones

    “No one has mentioned the absolute perfection of the line: "The sun was white, as though chidden of God." This works on more than one level--the dreary autumn day, with an overcast sky through which the sun shines dimly, a white sun. But, on a deeper level, the image of the sun losing its fiery glow…”

Where readers gather

Most discussed

  1. The Ruined Maid13 comments
  2. The Convergence Of The Twain7 comments
  3. The Darkling Thrush7 comments
  4. The Man He Killed6 comments
  5. The Voice6 comments
  6. Ah, Are You Digging On My Grave?5 comments
  7. At An Inn5 comments
  8. At Castle Boterel4 comments
  9. The Going4 comments
  10. An August Midnight3 comments

All 217 poems

Wessex Poems and Other Verses · 1899 · 1 poem
Poems of the Past and the Present · 1901 · 6 poems
Time's Laughingstocks · 1909 · 8 poems
Satires of Circumstance · 10 poems
Moments of Vision · 1917 · 9 poems
Late Lyrics and Earlier · 1922 · 6 poems
P · 1 poem
Other poems · 176
  1. Genoa and the Mediterranean.1887
  2. In The Old Theatre, Fiesole.1887
  3. Rom: On the Palatine1887
  4. Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats1887
  5. Rome: Building a New Street in the Ancient Quarter1887
  6. Rome: The Vatican-Sala Delle Muse.1887
  7. Shelley's Skylark (The neighbourhood of Leghorn: March)1887
  8. The Bridge of Lodi.1887
  9. Zermatt to the Matterhorn.1897
  10. At the War Office, London1899
  11. Departure1899
  12. The Colonel's Solilquy1899
  13. Lines On The Loss Of The "Titanic"19122
  14. "Between Us Now"
  15. "How Great My Grief" (Triolet)
  16. "I Have Lived With Shades"
  17. "I Need Not Go"
  18. "I Said to Love"
  19. [Greek Title]
  20. A Broken Appointment2
  21. A Christmas Ghost Story.
  22. A Commonplace Day
  23. A Confession To A Friend In Trouble
  24. A Man (In Memory of H. of M.)
  25. A Meeting With Despair
  26. A Sign-Seeker
  27. A Spot
  28. A Wasted Illness
  29. Additions
  30. After Schiller
  31. Afterwards
  32. Amabel
  33. An August Midnight3
  34. At A Bridal
  35. At a Hasty Wedding
  36. At a Lunar Eclipse
  37. At An Inn5
  38. At Castle Boterel4
  39. Beeny Cliff1
  40. Birds at Winter Nightfall (Triolet)
  41. By the Earth's Corpse
  42. Cardinal Bembo's Epitaph on Raphael
  43. Catullus: XXXI
  44. Channel Firing
  45. De Profundis
  46. Ditty
  47. Domicilium1
  48. Doom and She
  49. Drummer Hodge1
  50. Friends Beyond
  51. From Victor Hugo
  52. God's Funeral2
  53. God-Forgotten2
  54. Hap2
  55. He Never Expected Much
  56. Heiress And Architect
  57. Her Death And After
  58. Her Dilemma1
  59. Her Immortality1
  60. Her Initals
  61. Her Late Husband (King's-Hintock, 182-.)
  62. Her Reproach
  63. His Immortality
  64. I Have Lived With Shades
  65. I Look Into My Glass1
  66. I Said To Love
  67. In A Eweleaze Near Weatherbury
  68. In a Wood
  69. In Tenebris
  70. In The Vaulted Way
  71. In Time Of "The Breaking Of Nations"
  72. In Vision I Roamed
  73. Last Words To A Dumb Friend1
  74. Lausanne, In Gibbon's Old Garden: 11-12 p.m.
  75. Leipzig
  76. Lines
  77. Long Plighted
  78. Mad Judy
  79. Middle-Age Enthusiasms
  80. Mute Opinion
  81. My Cicely
  82. Nature's Questioning1
  83. Neutral Tones2
  84. No Buyers
  85. On a Fine Morning
  86. On an Invitation to the United States
  87. Postponement
  88. Revulsion
  89. Rome: On the Palatine.1
  90. San Sebastian
  91. Sapphic Fragment
  92. Satires of Circumstance in Fifteen Glimpses VIII: In the St
  93. She At His Funeral1
  94. She, To Him
  95. She, To Him III
  96. She, To Him IV
  97. She, to Him, I
  98. She, to Him, II
  99. Song From Heine
  100. Song of Hope
  101. Song of the Soldier's Wifes.
  102. Tess's Lament
  103. The Alarm
  104. The Bedridden Peasant to an Unknown God
  105. The Bullfinches
  106. The Burghers
  107. The Caged Thrush Freed and Home Again (Villanelle)
  108. The Casterbridge Captains
  109. The Cave Of The Unborn
  110. The Choirmaster's Burial1
  111. The Comet at Valbury or Yell'ham
  112. The Contretemps
  113. The Convergence Of The Twain7
  114. The Coquette, and After (Triolets)
  115. The Dame of Athelhall
  116. The Dance At The Phoenix
  117. The Darkling Thrush7
  118. The Dead Drummer
  119. The Dream-Follower
  120. The Fallow Deer At The Lonely House1
  121. The Fire At Tranter Sweatley's
  122. The Going4
  123. The Going of the Battery Wives. (Lament)2
  124. The House Of Hospitalities
  125. The Impercipient1
  126. The Inconsistent
  127. The Ivy-Wife
  128. The King's Experiment
  129. The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
  130. The Last Chrysanthemum1
  131. The Levelled Churchyard3
  132. The Lost Pyx: A Mediaeval Legend
  133. The Man He Killed6
  134. The Milkmaid
  135. The Mother Mourns
  136. The Oxen
  137. The Peasant's Confession
  138. The Phantom Horsewoman.1
  139. The Problem
  140. The Puzzled Game-Birds
  141. The Respectable Burgher on "The Higher Criticism"
  142. The Ruined Maid13
  143. The Seasons of Her Year
  144. The Self-Unseeing2
  145. The Selfsame Song
  146. The Sergeant's Song
  147. The Sick God
  148. The Sleep-Worker
  149. The Slow Nature
  150. The Souls of the Slain
  151. The Stranger's Song
  152. The Subalterns1
  153. The Superseded
  154. The Supplanter: A Tale
  155. The Temporary The All
  156. The Tenant-For-Life
  157. The Tree: An Old Man's Story
  158. The Two Men
  159. The Voice6
  160. The Well-Beloved
  161. The Widow
  162. Thought Of Ph---a At News Of Her Death
  163. To A Lady
  164. To An Orphan Child
  165. To An Unborn Pauper Child
  166. To Flowers From Italy in Winter
  167. To Life
  168. To Lizbie Browne1
  169. To Outer Nature
  170. Transformations2
  171. Unknowing
  172. V.R. 1819-1901 (A Reverie.)
  173. Valenciennes
  174. Waiting Both2
  175. Winter in Durnover Field
  176. Wives in the Sere